Erik's Tragic End
The Phantom of the OperaThe character destiny of the Opera Ghost, from his loveless life to his death of love.
increasing
Bearing strength in each event
decreasing
The Monster's Birth

The Monster's Birth
The Ugly Child
Erik was born near Rouen, the son of a master-mason. His face was so hideous that his own parents could not bear to look at him. He ran away from home and joined a fair, where he was exhibited as a 'living corpse.'
The Wanderer
Erik traveled across Europe, learning magic, ventriloquism, and music. He became a master of illusion. He eventually reached Persia, where he served the Shah and built the palace of horrors.
The Search for Love
Erik always longed for love but was rejected by everyone, including his own mother. He came to believe that he was beyond humanity. His only solace was music. He hid his face behind a mask and his heart behind a wall of cruelty.
The Love That Consumed Him

The Love That Consumed Him
The Voice of the Angel
Erik discovered Christine Daae and heard her sing. He felt an overwhelming love. He adopted the guise of the Angel of Music to win her trust. He taught her, protected her, and hoped to win her heart.
The Jealousy
When Christine fell in love with Raoul, Erik's jealousy turned to rage. He threatened to destroy the Opera if she refused him. He kidnapped her, imprisoned her, and gave her an ultimatum. His love was possessive and destructive.
The Renunciation
In the end, Christine's pity broke through his defenses. He realized that he could never make her love him. He let her go, gave her the gold ring, and asked only to be remembered. He died of a broken heart, a few weeks later.
The Corpse in the Cellar

The Corpse in the Cellar
The Last Visit
Erik visited the Persian to say goodbye. He was weak and dying. He told the Persian to advertise his death. He had already written his requiem mass.
The Discovery
Years later, workmen digging in the cellars found a skeleton near a well. The skeleton wore a gold ring. The narrator identified it as Erik. The newspapers claimed it was a victim of the Commune, but the narrator knew the truth.
The Burial
Christine Daae had kept her promise. She had returned to bury Erik with the ring. The Opera ghost was finally at rest. His skeleton now lies in the archives of the Opera, a testament to his tragic existence.
Erik's early life
during his time at the Opera
three weeks after the abduction